In his drawings, Wieman employs “sampling.” He extracts fragments of existing, sometimes recognizable images from their original context and combines them into new compositions. This creates new relationships between the images, resulting in a more ambiguous meaning. By tapping into our natural desire for a coherent narrative, he aims to draw the audience toward the work. However, through the intricate details of his execution, he intentionally leaves meaning open to interpretation.

“Strive for Achievements” is the working title for a series of charcoal drawings. This series centers on the “allure” of our culture, focusing on achievements such as festivals, museums, indoor party games, technology, corporate gatherings, healthcare, and community gardens. While we eagerly cling to the comforts gained in the past, we remain devoted to pursuing promises that lie in the future.

In the works Social Realism and Eden, Wieman interweaves fragments of the muddy village game Kwalleballen with images of refugees in conflict with authorities at the physical borders of Western culture.